Resource for the study and performance of Georgian Orthodox liturgical chant
Of the musical terms attested in Medieval Georgian written sources, special attention attaches to the term mortuleba (“harmony”).[1] It is polysemantic and occurs in various branches of Georgian literature (theological and philosophical exegetics, hagiography), as well as … Read More
Part III: East Syriac and Georgian Connections Part I: Chanting Around the Throne of God (Theological and Ritual Perspectives) Part II: Musical Analysis of the Georgian Trisagion Hymn We now return to inscriptions and art, which we surveyed … Read More
Part II: Musical Analysis of the Georgian Trisagion Hymn Part I: Chanting Around the Throne of God (Theological and Ritual Perspectives) Part III: Trisagian Hymn – East Syrian and Georgian Connections The non-linguistic content of chant has … Read More
Part I: Chanting Around the Throne of God An Intermedial Study of The Trisagion Hymn in the Georgian Tradition and in Cross-Cultural, Ritual Perspective Part II: Musical Analysis of the Georgian Trisagion Part III: Trisagion Hymn – East Syrian … Read More